liadethornegge: (garb)
I seem unable to commit to actually cutting out the skirt for my new red petticoat.

I should have enough for three gored skirt panels. Definitely not enough for straight paneled skirt. I tried that on my splendor solis kirtle and was miserable trying to walk in it so I eventually re-cut it to be gored panels.

Anyway, I'm not sure how to apportion my fabric. The waistline is about one third back panel, two thirds in the two front panels.

Issue one: I don't want to have two panels in the front of the skirt and one at the back. 
Issue two: the bodice is front laced, do I add a seam at the front or try to cut that on the fold and do a slit?
Issue three: how long to make the skirt to best utilize the cloth I have.

I did cut out the thai silk lining for the bodice - but I'm starting to think I didn't give it enough ease, and I don't want to put in the lining before I've attached the skirt, so can't test it yet. Maybe that's also the wrong thing, I might be able to add the lining already.

I'm just feeling meh about it

liadethornegge: (garb)
 At sewing circle this past weekend I dug through my binder of patterns and cut out a new bodice from my self-made and dyed fabric.

Me and Helwig also helped our new member, Anna, to start her own similar project. We drafted a bodice pattern and did a quick first fitting of it, so she could take it home and start cutting out her red wool.

On Sunday I proceeded with the new red petticoat project, cutting out interlining and stitching some lines for light boning and padstitching in the front bodice, and it was lovely to do some hand sewing.

I'm paused to figure out how I want to do my front closing. I think I will try to do something similar to what I did on my original red petticoat, which is lace through the interlining and let the outer fabric overlap and pin it closed. The red petticoat does have hooks and eyes, but my little black dress I use pins on and I love the way it looks, so I think I'll aim for that. Which means I need something else to cover the front edge of the interlining, which currently is just the selvedge of the green and white checked fabric I wove for the Pisa kirtle.

Instagram post with pictures of this process

liadethornegge: (garb)
Currently, I have a couple of thoughts in my mind.

1 I absolutely want to make a new red kirtle, and I absolutely want to tailor another 16th century doublet for myself - both from fabric I have woven myself with these exact projects in mind. 

2 I don't want to step back into sewing 16th century garments because it's been so long and I'm anxious they'll turn out not as good as they ought to be. This is fuelled by thinking of my pisa kirtle, which I wove the fabric for, and whose fit is not as great as it could be. It's quite spacious for me. I changed my mind in the middle of cutting it out, so, things were not ideal.


I have a couple of projects started - one silver silk with some extra embroidery which I have cut out for a waistcoat for my male 16th century wardrobe. It's stalled out because I really would like it to have sleeves, but there's not enough of the fabric to make a pair. I can get arm wings or tabs, but not sleeves. 

The second project is the OL cloak I have cut out of the fabric we dyed last summer. Ahead of May Count this year I designed it, cut out all the silver leather applique pieces, and cut out the cloak out of interlining and the outer fabric. I think the strips are stitched together, but I need a big flat space to do the applique through both layers because the outer is too flimsy and I need the linen to stabilize the whole thing

It's been more interesting, more joyful, to think about weaving rather than sewing for a good long while now. Maybe because I have a pretty extensive historical wardrobe already.

But I definitely do want to level up my wardrobe with self-made fabrics. I guess my sewing circle project this fall will be to make up the red kirtle out of the fabric I wove and then dyed for the purpose. I'll just have to put on my big girl pants and Do It! I will have to make a promise to myself to _NOT_ compromise on the quality of the garment, and fix fit issues rather than just let them slide.
liadethornegge: (aros)
Yesterday was Aros sewing circle, and I was planning on doing embroidery - but in my bag from last time I discovered the mittens I had cut out following the Lödöse-mitten pattern I bought at Lucia in December. So I worked on those instead.
I managed to put together the first mitten, hand sewing with wool. It was lovely to work with wool again.

The fabric is the very gorgeous cochenile dyed wool my apprentice Cristina gave to me when she accepted my belt. She gave me a yard of wool, and woolen and silk thread all dyed in cochenile to match. She is a dyer. I made a hood out of it last year and had only scraps left over, which I managed to patch together for these mittens.

I had to piece a couple of the pattern pieces, and the front/back of the mittens that are one piece in the pattern I had to cut out as two separate pieces. I used a backstitch to join the pieces, using the 20/2 wool yarn Cristina also dyed to match the fabric.

The mittens are roomy, and I think I will be able to use this exact pattern to make a pair of fur-lined mittens out of my ray cloth. The cochenile wool is fairly thick and lovely, whereas my ray cloth is much thinner. The fur will be a black fake-fur that I have already used to line the aforementioned hood.
liadethornegge: (Default)
Yesterday we went over to Viscount Gilliam's place to participate in some beer brewing. Ed had talked to him at the Cudgel Pity Party Picknick about it, so we went over and watched as Gilliam and Rasmus did the work of brewing up a batch of beer and explaining the process along the way.

I'm not personally interested in doing it, but it's always fun to watch people do work, and it's interesting to see it done. But I had brought my latest sewing project and started by laying out and cutting a lining for a pair of breeches. Through the day I also managed to attach the piecings which were needed as the fabric is a little too narrow to fit the entire pattern.

We also played a round of a Beer Trivia game while waiting for the batch to ... do something ... and apparently I have learned some things through watching Acquisitions Intoxicated, because I won! Even though we weren't counting. Best category was stacked chairs.

Unfortunately the weather got really annoying as we drove home, so heavy rain in the dark to get home was less than ideal.

Also in the week came the news that Ed's name and device have been registered with the SCA. He had to drop the -us from his name, but could keep it basically the same as he's been using forever, so Edricus Filius Offae it is. And the heraldry that is on his shield and flag etc passed without issue. I basically filled out his paperwork and he sent them in and communicated about the changes needed. So, hurray for that.

Collar on

2020-07-06 09:58 pm
liadethornegge: (garb)
Sunday I hopped on to a Zoom-social, Fancy Hat Tea, for two hours and managed to cut out and stitch on a collar for my doublet gown.
Today I had the afternoon to deal with seam allowances, pin and stitch trim around the collar, and start a dry assembly of the lining.  I am nearing the stage when I can close up the front of the dress rapidly.

I still have to set in the sleeves, decorate the skirt and attach it, and add a bajillion hooks and eyes down the front.

I also suceeded in cutting down the very wide trim into three separate pieces of trim. Two identical with a silver-gold-silver pattern, and one simple gold braid. I used the simple gold braid to go around the collar, and the two silver-gold-silver trims will go on the bodice as diagonals from the front centre, over the shoulders, and down the back. I have -just- enough length for it to do that, if my test-assembly continues to hold.

I'm starting to look forward to being able to wear this ensemble.
liadethornegge: (garb)
The current sewing project I've been working on is the doublet bodice gown, which has become heavily inspired by the extant gown of Pfaltzgräfin Dorothea Sabina, and I am stuck in all the trimming. 

The hanging sleeves has long straight narrow braid, the under-sleeves have row upon row of trim, the bodice currently has trim down the front, and the skirt that is open in the front will also have trim down the opening.

If I have measured correctly I have enough trim to go around the entire hem AND to add more trim to the front and back of the bodice to really go all out. Right now I have to make a call, and what I would ideally like to do is get the skirt onto the bodice, let it hang, and have help levelling the hem so that I can accurately place the trim there, and then use the remains on the bodice. But I need the trim on the bodice in order to attach the skirt properly. So I can't do that.
What I did was to lay the trim sloppily along the hem and put a pin when I reached the other edge, and roughly measured on my bodice the left-overs.

The bodice right now only has trim along the front opening. The Dorothea Sabina gown (images from Grand Ladies site) has the military-style lines of trim parallell to the floor, as well as the diagonal from centre front up to the shoulder point. The back has a line straight down the spine, and two diagonals from shoulder to centre back. I am not sure I have enough to do those extra five lines, also my trim is substantially wider than the extant gown. Also, I already stitched in the tabs at the back... so I would have to remove some to add the trim there neatly.

I'd also prefer not to set in the sleeves until all trimming on the bodice is done. As it is, I'm stuck there, for now.
liadethornegge: (garb)
 At the beginning of social distancing in Sweden, and just when term was getting the busiest, I still managed to host and attend a sewing circle Zoom weekly. As of one month ago that all dried up again, and I haven't done nearly as much online video meetings. I have also lost all speed on my sewing projects.

I got going when a friend asked me about making breeches, which inspired me to pick up the doublet bodiced gown (inspired by the extant Dorothea Sabina gown at the Bayerishe National museum) that I had cut out and started a year ago or more. That project had stalled because I was unhappy with the padstitching on the bodice, and I needed to make a decision on what to use as a lining. I determined I didn't care about the padstitching enough to re-do it, and the fashion fabric wasn't worth lining the while thing with silk, so that meant I could go over the top and use a fabric I got as a birthday present.

The gown will have long open hanging sleeves, and the skirt will be open in the front so that the lining might be visible, and I'm going to cover the whole thing with trim on bodice, sleeves and skirt. It's now stalled out on the installation of sleeves. Which is always a pain in the ass, and might have to be re-done for me to be happy with it, and I need to do it by hand, and that's going through so many layers - ugh.

So, maybe I'll set up a zoom call this weekend if someone wants to join me in the sewing room?
liadethornegge: (garb)
I will be finished with my gown by then. I will, I will, I will.

Actually, I don't have too terribly much left. I managed to stitch in the skirt entirely this week, as well as finish off the front closure with hooks and eyes over the lacing.

Still left to do, at sewing circle tomorrow, is evening up the hem, and hemming. Cutting out and making up a pair of huge sleeves and applying miles of black satin trim. The hem will go quickly, the trim will be dull but go quickly, the making of sleeves will be a pain in the behind.

So the plan for tomorrows sewing circle is

  1. put on the dress to have the hem measured out evenly

  2. invent and draft sleeve pattern

  3. For extra credit, make up toile sleeve in cotton (unsure if I'm going for extra credit)

  4. cut out actual sleeves and start making them.



I think that I will have to do boring hemming and trim application at home, during the week.

I also have some scribal things to finish for Spring Crown, special commission work. I'm writing up invitations for an invitational HF tourney at Double Wars. They've been fun to do, although doing ten identical ones is a little tedious.

At Spring Crown, when the dress will be finished, I will come turned out in an all new outfit. New red knitted stockings, new red knitted half-gloves, new black wool gown and new oxblood red leather shoes. It's going to be awesome, and I can't wait! It will be my first time in Polderslot (The Netherlands).
liadethornegge: (research)
I have in my stash plenty of fabric to make some new and awesome outfits.

I have a cut of grey wool to make a replacement grey wool layton jacket for the one I shrunk in the washing machine. It was an awesome jacket, with special button loops that I made as a 5-loop fingerloop (flat, round flat). I loved that jacket. And I shrunk it in the washine machine. But I'm totally over that now. I have the nice buttons left from the old jacket.

I have two cuts of black wool to make base kirtles. Front lacing, low square opening, some stiffening, possible pockets. Possibly with a plaquet in front to conceal the front lacing.

I have dark brown silk, and brown/bronze polyester brocade to make a high-class outfit. Maybe for a 1575 project. Which probably needs a new farthingale. Also new corset, maybe finish one of the two (2) I have started but not finished. I finally made a pinterest board for this project.

The first two are not exceptionally inspiring, but I miss a good jacket. The black kirtles would mean I would finally have a base layer that I can use with every other outer garment I already have. The third is more of a Project, more tricky bits and not entirely transparent to me right now.

All I have to do is decide which one to pick. Which one to pick..

About Lia

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Lia de Thornegge

December 2025

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